Cute Michael Jackson Stories ( 9 )

Michael的藝術高潮，1984

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中文來源：mjjcn.com  編輯翻譯：stroller

他看到好東西時馬上就知道，就像在上世紀80年代初，他第一次見到Michael Jackson時那樣。我的丈夫（Howard Bloom）被聘為Michael的公關員——為1984年的勝利巡演工作。
他走進房間，被介紹給Michael，Michael正要看專輯的封面設計。我還記得Howard跟我描述Michael剛剛看到作品的第一部分時的反應，他經常這麼做。

Michael是這樣叫的：

“Oooo…….Oh, oh, oh, oooooo,oooo,ooohhh”而Howard則在一旁小聲地歎息和呻吟著。兩個人雖然站著，卻好像正在經歷性高潮。
而此時他們才剛剛看到作品的一小部分。
但Howard解釋說：“你可以感覺到Michael身體的每一部分都已經看到了無限遠的地方。”

 

 

Michael’s orgasmic affinity for art, 1984
And he knows that when he sees it. Like in the early 1980s when he met Michael Jackson for the first time. My husband (Howard Bloom) had just been hired to do Michael’s publicity – most notably for the Victory Tour of 1984.
As he walked into the room to be introduced to Michael, Michael was about to be shown proposed album cover art. I recall Howard describing, as he often did,  Michael’s reaction to seeing the first nugget of the work.
It goes like this:
“Oooo (rhyming with ‘you’) ….. Oh, oh, oh, oooooo, oooo, ooohhhh” with Howard adding little sighs and moans in the manner of a person, although standing, having an orgasm.
And this was with just the first square inch of the art exposed.
As Howard explains it, “You can feel that in every inch Michael sees an infinity.”

 

 

 

Michael Jackson is the most Astonishing Person I have ever met on the face of this planet

 

“Michael Jackson is the most astonishing person I have ever met on the face of this planet. I never expected to meet anybody like him; I never suspected there was anybody like him. He lived to give. He lived to give to his audience. He loved his audience.

 

One day I got a call at 4 o’clock in the afternoon, here in New York saying, “You gotta be out here - meaning L.A. - tonight at 11 o’clock. Michael is cancelling his tour and you’re the only one he’ll listen to.” Michael and I sat down in a trailer that night at 11 o’clock - a dark trailer outside in studio lot in L.A. where he and his brothers were rehearsing for their tour. It was like two prophets going up against each other. Michael said to me, “I will not go out on stage. I owe my audience. I owe them the most astonishing thing they have ever seen in their life. My brother Jackie is the best dancer I have ever seen. And my brother Jackie has just came down with a bone chip in his knee. If I can’t go out with the best dancer in the world, then I will not go out, because I will not cheat my audience.” And I felt as if Michael’s chest, the ribs had opened like gates, and I could see 10 000 kids inside of there. And Michael would not let anybody screw around with those kids. He owed them something tremendous. And I had to convince him on the reason, that cancelling his tour would screw those kids. Because they would cease to believe in him, his tour would be so badly… his tour had already been savaged by the press over and over again. His public would not believe in him anymore. And he could feel his audience in my chest. I never expected to meet a human being like that.

 

One day we were looking at pictures together for what was supposed to be his next album cover, and his knees buckled when he saw only one inch of a picture in a portfolio, and he made an orgasmic sound. And the further he unpeeled back the page, the more his knees buckled. I knew, I was standing next to him. I could feel his body language. And the more - the orgasmic sounds grew, because Michael was capable of seeing the infinity in the tiniest of things, and I never ever in my life expected to meet that quality of wonder and that kind of extreme generosity. He lived for other people. And when he couldn’t live for other people, he died a little. If there ever was a saint on the face of this planet, Michael was it.”

 

— Howard Bloom, MJ’s manager during the Victory tour